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LIN ZHAOHUA · DIGITAL THEATRE ARCHIVE

林兆华
戏剧现场
Lin Zhaohua
Theatre in Practice

从北京人艺到实验戏剧,从高行健、过士行到林兆华戏剧工作室;这里以作品、人物、机构与活动重新组织一段中国当代戏剧史。

From Beijing People's Art Theatre to experimental theatre, from Gao Xingjian and Guo Shixing to the Lin Zhaohua Theatre Studio — an archive organized around works, people, institutions and events.

林兆华舞台现场
林兆华剧场工作现场 / Lin Zhaohua at work
70+公开资料所述导演作品documented stage works
1982《绝对信号》Absolute Signal
1990戏剧工作室Theatre Studio
2005北大戏剧研究所PKU Institute of Theatre
01 · PERSON

人物小传Biography

以时间线呈现从演员、北京人艺导演到独立工作室与戏剧教育实践的创作轨迹。A timeline from actor and Beijing People’s Art Theatre director to independent studio practice and theatre education.

A timeline from actor and Beijing People's Art Theatre director to independent studio practice and theatre education.

1978

从《丹心谱》开始Starting with The Red Heart Score

1978年与梅阡一起执导《丹心谱》,本档案以此作为导演生涯作品时间线的起点。In 1978, he co-directed The Red Heart Score with Mei Qian; this archive uses that production as the starting point of his directing chronology.

1980—1985

独立执导与实验戏剧Independent Directing & Experimental Theatre

1980年第一次独立执导《为了幸福干杯》;随后完成《绝对信号》《车站》《野人》等作品。In 1980 he independently directed A Toast to Happiness for the first time, followed by Absolute Signal, The Bus Stop, Wild Man and other works.

1990

林兆华戏剧工作室Lin Zhaohua Theatre Studio

以工作室方式持续进行经典重构、跨文化实践与新的舞台形式探索。Through the Studio model, he continued to rework classics, pursue cross-cultural practice and explore new stage forms.

2005

北京大学戏剧研究所Peking University Institute of Theatre

参与创建并担任所长,推动大师工作坊、戏剧论坛与实践型戏剧教育。He helped establish the Institute and served as its director, advancing master workshops, theatre forums and practice-based theatre education.

2006—

大型剧场与跨界作品Large-scale Theatre & Cross-disciplinary Work

《白鹿原》《大将军寇流兰》《窝头会馆》等作品将地方声音、摇滚、群体表演与传统剧场经验带入大型舞台。Works such as White Deer Plain, Coriolanus and Wotou Guild Hall brought local voices, rock music, ensemble performance and traditional stage experience into large-scale theatre.

02 · WORKS

作品谱系Works in Context

浏览完整档案 →Browse the full archive →
03 · VOICE

导演自述Director’s Voice

选自《导演小人书》中的自述性文字,作为作品档案的创作语境,而非外部评论。Selected first-person passages from Director’s Memoir, presented as creative context rather than outside criticism.

“我始终在追求戏剧风格的突破和创新,否则我的创作没有基础。我试图在每一部戏找到一个创新的点,使它看起来与众不同。”“I have always pursued breakthroughs and innovation in theatrical style; otherwise there is no foundation for my work. In every production I try to find a point of innovation that makes it distinct.”
“形式本身就是内容。”“Form itself is content.”
“《野人》给我一生的创作带来自由:没有什么不可以在舞台上表现。”“Wild Man gave my creative life a sense of freedom: nothing is impossible to put on stage.”

完整资料见 《导演小人书》。网站只选取与具体作品和创作方法直接相关的片段。See Director’s Memoir on Douban for the full publication. This archive selects only passages directly relevant to specific works and creative methods.